The gravedigger scene may be taken as a key to the play Hamlet as a Essay

The gravedigger scene may be taken as a gravestone to the play settlement as a w jam. Why - Essay ExampleThus crossroads says, that skull had a tongue in it, and could sing once how the knave jowls it to the ground, as if it were Cains jaw-bone that did the first murder. This aspect of the scene overly shows how hamlet, whether he likes it or not, constantly returns to the same themes whatever situation he is in. The fact that the jawbone could be that of Cain, leads him to the subject of murder which in turn leads him to the fact that he believes his father was murdered by his Uncle and mother.Hamlet makes fun of all the titles, property and pride that make him a Prince, but which will eventually vaporise into that great equalizer. The fact that he has felt uneasy with the idea of being a royalty occurs by means of the play and is persistent in this scene as he looks at skull that might have been a lawyers or a great buyer of land. They are all equal now deep down conclusion .The theme of death taking away the innocence of childhood appears as Hamlet says the famous line, alas, paltry Yorick, I knew him well. Deaths bit is even more keen when it has occurred to someone that we fondly remember from step up childhood. Again, Hamlet asks a series of questions that he knows the answer to before he has spoken them. These are mayhap the ultimate rhetorical questions where be your gibes now, Your gambols Your songs Your flashes of merriment, that were wont to set the table on a roar not one now, to mock your own grinning. The fact that Yorick, who apparently displayed all the vitality and zest for life that Hamlet sorely lacks, is dead, makes Hamlets own attempts to both cheat death and to avenge it seem rather pathetic. The idea that at that place is no-one to mock the permanent grin that Yoricks skull is showing is perhaps the most telling fact of all. Hamlet suggests that death is mocking all mortals - so no mortal mocking is actually needed. The unfairn ess of death is a theme that resounds throughout the play. It is unfair that his father has been killed while his useless uncle lives. It was unfair that Polonius was killed needlessly (even though Hamlet cares little himself), and it is unfair that Ophelia has been driven to madness and hence to suicide. Death, it seems, takes those who are most innately suited to life. season those such as Hamlet himself, so thinks the Prince, are left to suffer within a pain life. The fact that death makes all equal is expounded upon by making the dead seem to be portion of deaths joke on the prideful ambitions of life. Thus the stinking skull that Hamlet is handling (that of Yorick) brings him to consideration of the fact that the mental imagery trace the novel dust of Alexander, till he find it stopping a bung electronic jamming Throughout Hamlet the title character is unable to stop his flights of imagination, and all of these turn into a smorgasbord of reduction ad absurdum in which the whole of life is rendered meaningless and somewhat laughable by the mothy facts of death. Life is very short, mutable and transient in its importance while death is eternal and majestically terrible in its permanence and resonance. Alexander may be the dust bunging up one hole or another for much longer than he was ever a great ruler. This sense of futility is resoundingly summed up within the following rhyming coupletsImperious Caesar, dead and turnd to